![]() Fire will be thrown in a straight line, so they are easy to avoid, but ice will follow the player around the map. Eos will also toss out fire and ice balls like grenades. Dodge away at the last second to avoid taking damage from these attacks. The boss will telegraph these moves with colored indicators, red and blue respectively, that show the player which direction they will fire in. The fire beam shoots out in a straight line right at the player, whereas the water one comes out as two beams that fire diagonally. If this attack is triggered it will leave burning marks on the ground that injure the player, and can only be removed by Eos using his water attack.Įos also has two separate beam attacks. This ability is basically impossible to avoid, but is only triggered from the center of the platform, so the player will want to stay on the outskirts to prevent Eos from using this attack. The first ability that Eos will use is a giant flame that will cover almost the entire platform that they are fighting on. To get there though, the player will need to fight through many powerful attacks. This is how the player separates the two and moves into phase two of the fight. While combined, the boss will have a smaller health bar above its main one that will deplete as the player attacks. Here is how the player defeats the boss in each of its phases:ĭuring the first phase of this fight, Eos will start out combined together. ![]() The player will instead need to discover a way to separate these two pieces in order to deal some damage. When the fight begins the boss will combine both parts of itself together, and while this is the case it will be entirely invulnerable. ![]() This means that both elements will be used against the player in this fight, and they are really difficult to avoid. It exists as a kind of dual elemental god that is in control of both water and fire elements. Eos is a really tricky enemy to beat in Eldest Souls. ![]()
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View full changelog Sections/Browse similar toolsĮxplanation: NEW SOFTWARE= New tool since your last visit NEW VERSION= New version since your last visit NEW REVIEW= New review since your last visit NEW VERSION= New version Latest version Launching an export from the command line or from Camtasia Add-in for PowerPoint will now utilize the modern export experience.Įxporting to YouTube now uses the project dimensions when exporting instead of imposing a maximum of 1080p.įixed a bug that could cause the digitaltrains Dynamic Background to render incorrectly on the canvas.įixed a bug that could cause the expiration date for maintenance licenses to display incorrectly.įixed a bug that could cause transfer of projects between Camtasia and Audiate to fail.įixed a bug that could prevent some templates from being updated when upgrading Camtasia.įixed a crash that could occur when Camtasia failed to show a toast notification.įixed a crash that could occur during batch production if source media were unavailable. 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There’s are some different methods to hanging MLV depending on exactly where you plan to install it. When to Use Soundproof Wall Membraneīefore giving you some tips, we’ll have to see what kind of home project you’re getting into. ![]() Mass Loaded Vinyl is a simple product that is essentially a roll of heavy, dense rubber which can be cut with a utility knife, and stapled or screwed to the studs/drywall in your project. At our sister company, Commercial Acoustics, they install mass loaded vinyl products regularly, so you can trust us to teach you how to hang it like a pro. When it comes to DIY projects, you want to make sure you get it right the first time or else it becomes more of your time and money. Also a good product for laying on top of your ceiling tiles to “cap” the room with a sound barrier material.We see a lot of questions with people asking how to properly install Mass Loaded Vinyl, so we’re here to help. 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Then a small hole was drilled in the base to allow a micro-SMD to be added to each spotlight (these were coloured SMDs to match the final colour of the spotlight - mostly blue but also a red). The moulded lenses were drilled away along with a 'hollow' in the spotlight itself. At this stage, I also removed the moulded strobe lights in the front of the front radiator grill, drilled holed behind them which would eventually house white micro-SMDs and replaced the 'bulbs' with short lengths of clear perspex rod to form new lightable strobe flashers.įor the various spotlights I used a similar technique to the one I used on my Spinner. ![]() As I said, I didn't have clear inserts for these, so instead I taped the back of the part and carefully dribbled clear resin into the lenses from the outside using an eyedropper. The signature Cadillac conical rear lights were cut away and the lit areas of the square rear light clusters were carefully drilled out. Filed to fit, the clear resin inserts pushed into place. Replacement lenses made, I carefully drilled and filed out the moulded lenses in the chromed parts. The only lights that turned out to be imposible to make like this were the 'square' main rear lights so I had to use a different technique for them at a slightly later stage. Using these moulds I cast all the light lenses in clear resin. I used ' Blue Stuff' for this, a thermoplastic moulding material that softens to a putty like consistency when heated in hot water, but cools to a firm but slightly flexible state which retains even the finest detail. The first thing to do was to make moulds of all the lights - or at least the parts of them that should have clear lenses. So adding all the lights I wanted would take some work. There was one issue with the Ecto-1 version, however, which was that the headlights, sidelights, rear lights and all the various spotlights are all solid mouldings on the sprue of chromed parts. Polar Lights make kits of both versions of the car. The car had a lot more detail and 'busyness' added to it for the second movie, but I like the simpler lighting rig, 'roof-rack' and markings of the original. I opted for the original 'Ecto-1', seen in the first movie. The kit itself is relatively straightforward. They were beautifully accurate, and scaled down to 1/25th, would give me just what I wanted for the final look. It was finding a fantastic set of 3D-printable STL files for the ghostbusters themselves that finally got me revved up to finish the model. Like the other cars, I wanted to light it as fully as possible and if possible mount it on a small diorama base, ideally with figures of Venkman, Stantz, Zeddamore and Spengler. ![]() I've had this on my 'work-in-progress' shelf for ages. 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In this article, we explore how exactly AI is making EHR systems more efficient.ġ. ![]() This is a concern for the US healthcare system, as extended care delivery times translate into higher costs for patients as well as physician burnout and job dissatisfaction.Ī slew of healthcare and technology firms have stepped up to address this challenge and more through AI. A US study by the American College of Physicians found that doctors spend an average of 16 minutes per patient on EHR functions across specializations. 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They were, whether on-air personalities or producers or writers, committed and intense, yet also hip and extremely good-looking. Watching the MTV News department from up close for as long as I did, I can only make this comparison: It felt like the West Beverly Blaze, the high school newspaper in the early seasons of “Beverly Hills, 90210.” In the midst of a world that seemed frivolous, MTV News staffers were devoted to doing work that had depth. Kurt is still so tied to the identity of MTV News, even now, years after he left the network, that I have to remind myself that I’m not writing his obituary. He was mischievous enough not to keep Courtney Love from crashing his post-MTV Video Music Awards conversation with Madonna in 1995, something he absolutely could have shut down but didn’t, thank God. He held it together, smoothly and stoically, in the hours after Kurt Cobain died. As the 1992 elections drew near, the expanding MTV News team asked a question nobody in the history of television had thought to ask: What if a presidential election could be made interesting and relevant to a citizen under age 50? “Choose or Lose” was born, Bill Clinton was asked whether he wore boxers or briefs, and not long after, there was an MTV inaugural ball.Īfter the election, Soren became a TV star in her own right, but in many ways, Loder was MTV News, cool and authoritative, a Cronkite for Generation X. Young journalists like Tabitha Soren, John Norris, Chris Connelly and Alison Stewart entered the fold. That year, the 10-to-the-hour segments expanded to “The Week in Rock,” a one-hour show that quickly replaced Rolling Stone as the place where Generation X got its pop-culture news. A persona so unique in the culture that it would have done Showtime’s “Yellowjackets” no good to create a fictionalized version they had no choice but to deep-fake him. He was like a cool professor, an eminence blasé. ![]() Loder brought a new, more worldly vibe to the channel. MTV made the correct choice: Kurt Loder, by then a veteran of rock journalism and criticism, a longtime contributor to Rolling Stone, a co-writer with Tina Turner of her autobiography. Someone with a lifetime of wisdom and experience, which is to say: someone in their very early 40s. What was needed was someone with gravitas. But some things were weightier than an Alan Hunter could be expected to handle, and by 1987, the fresh crop of pop stars the network had helped to create wanted to be interviewed more thoughtfully. ![]() In the early ’80s on MTV, the VJs had to deliver the music news and do the more in-depth artist interviews. The influential and crowd-pleasing telecast brought pop music culture, news and politics to young audiences - long before the internet and Napster changed media and music in equal measure. Company Town MTV News, which chronicled the music and politics of the ’90s, shuts down ![]() ![]() ![]() A VM is a file that can be scanned for malicious software by an external program.
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